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SHELIA FINDS HERSELF IN A SITUATION THAT WANT BE EASY TO GET OUT OF.EVEN GROWING UP IN A HOME WHERE LOVE WASN'T SHOWN VERY AFFECTIONATELY, STILL SHE NEVER WENT THROUGH A SITUATION LIKE THIS.HOWEVER WHEN THINGS GET TO BAD FOR SHELIA TO HANDLE WEIGHT STARTS LIFTING OFF HER SHOULDERS THROUGH ANGELIC FAVORS. SHE FEELS THAT MIRICLES ARE SURELY HAPPENING RIGHT BEFORE HER EYES.INCLUDING MEETING A MAN THAT WOULD GROW TO TRULY LOVE HER UNCONDITIONALLY. MARANDA WAS A YOUNG WOMAN BEING RULED AND DISRESPECTED BY AN OLDER MAN WHOME SHE SHARED TWO CHILDREN AND AN APARTMENT WITH.HOW DO YOU GET OUT OF A SITUATION THAT IS TRULY HEARTBREAKING?SEE HOW MARANDA DEALT WITH BEING ABUSIED AND TREATED IN WAYS OTHER THAN THE BEAUTIFUL LADY THAT SHE IS. MARTIN, OWNER OF A BAR IN HIS CONVERTED APARTMENT, A REAL LADIES MAN YOU WOULD SAY.HE WAS LIKE THE HEAD OF HIS OWN GANG UNTIL UNEXPECTED EVENTS BROUGHT ALL HIS TRUE COLORS AND WEAKNESS TO THE TABLE WHAT WOULD HIS ENTOURAGE THINK OF HIM KNOWING HE TO CRY IN THE DARK. JOHN, A YOUNG BLACK ENTREPRENEUR WHO'S IN A WORLD ALONE LOOKING FOR HIS LONG LOST FAMILY MEMBERS.UNABLE TO FIND THEM HE'S LEFT FILLING VOIDS IN OTHER PEOPLE LIVES THAT UNFOURTUNATELY HE CAN'T FILL IN HIS OWN UNTIL HE MEETS SHELIA AND HER GIRLS.CAN THEY FILL THE VOID IN JOHN'S LIFE
In The Black Stone, the sixth adventure of Cyrus Skeen, private detective and socialite in San Francisco, it is February 1930, marking the end of the Roaring Twenties and the beginning of the Depression and the "Red Decade," when Soviet spies and Communist fellow travelers have begun to infiltrate the government and the culture. In The Chameleon and A Crimson Overture, Skeen tangled with Nazi plotters and Communist spies. In this new case, he confronts a new kind of nemesis that has been gestating in the Middle East for centuries and is now being enabled by oil companies and careless foreign policies: Islam. While investigating three murders whose savagery is unprecedented in the annals of San Francisco crime, he begins to understand that nemesis and the threat it holds. In a world slowly descending into the swamp of the approximation, the equivocal, and the pragmatic, Skeen stands out as a beacon of rationality and moral rectitude. His only allies are his painter wife, Dilys, and an intrepid newspaper reporter, Mickey Kane.
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